аЯрЁБс>ўџ ўџџџGџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџ§џџџўџџџ  ЗF !"#$%&'()*+,-./0123456789:;<=>?@ABCDEўџџџИ§џџџIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~€Root Entryџџџџџџџџ РF€gвЊїvС__nameid_version1.0(џџџџџџџџрраЊїvС€gвЊїvС__substg1.0_00020102*џџџџџџџџџџџџ__substg1.0_00030102*џџџџhўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџ./0123456789:;<ўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџўџџџHIJKўџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџ РF…R…T…………………6… 7… 8… ƒ… …R…………8… …__substg1.0_00040102*џџџџџџџџџџџџўџџџ__substg1.0_10010102* џџџџ__substg1.0_10020102*џџџџџџџџџџџџ__substg1.0_10090102*џџџџ__substg1.0_100A0102*џџџџџџџџџџџџ__substg1.0_100F0102* џџџџ__substg1.0_10110102*џџџџџџџџџџџџ__substg1.0_10120102* џџџџ ……ƒ… 6… 7… T…IPM.Note__substg1.0_10130102*џџџџџџџџџџџџ __substg1.0_101B0102* џџџџ __substg1.0_101C0102*џџџџџџџџ __substg1.0_101E0102*џџџџџџџџџџџџ __substg1.0_001A001E*џџџџ __substg1.0_0037001E*џџџџџџџџџџџџ __substg1.0_003B0102*џџџџ__substg1.0_003D001E*џџџџџџџџџџџџSMTP:SHRUMTRIBE@TECHNO.CA+ЄОЃnнTSMTPshrumtribe@techno.caKG+ЄОЃnнTshrumtribe@techno.caSMTPshrumtribe@techno.cashrumtribe@techno.ca__substg1.0_00410102*џџџџ7__substg1.0_0042001E*џџџџџџџџџџџџ__substg1.0_004D001E*џџџџ__substg1.0_004F0102*џџџџџџџџџџџџS__substg1.0_0050001E*џџџџ__substg1.0_0064001E*џџџџџџџџџџџџ__substg1.0_0065001E*џџџџ__substg1.0_0070001E*џџџџџџџџџџџџ SMTPshrumtribe@techno.caПЯ6Н\?яЊ:рдПŒPКЁŸ”А+ЄОЃnнTSMTPshrumtribe@techno.caSMTP:SHRUMTRIBE@TECHNO.CASMTP__substg1.0_00710102*џџџџ__substg1.0_0C190102*џџџџџџџџџџџџ7__substg1.0_0C1A001E*&џџџџ__substg1.0_0C1D0102*џџџџџџџџџџџџ__substg1.0_0C1E001E*!џџџџ__substg1.0_0C1F001E*џџџџџџџџџџџџ __substg1.0_0E02001E* $џџџџ!__substg1.0_0E03001E*џџџџџџџџџџџџ"shrumtribe@techno.caSTЪOTю:гПŒPКЁŸ”Т€Зя?р:дПŒPКЁŸ”__substg1.0_0E04001E*#%џџџџ#__substg1.0_0E0A0102*џџџџџџџџџџџџ$__substg1.0_0E1D001E*"*џџџџ% __substg1.0_1000001E*џџџџџџџџџџџџЇi transmissions 1. communique 2. Dan Lui aka Rainfield: A Feature 3. PostModern Lies: Activism & Media 4. stimuli 5. deployment 6. addendum ----- [ communique] I. is proud to launch: www.shrumtribe.com The website is revamped with new information, pictures of past events, real audio files, & manifestos from the Collective. Also check for updated dj tobias information, bookings, releases & mixtapes. II. The Phoenix Festival - www.mutated.org is proud to participate in a gathering of soundsystems at the Phoenix Festival, Portland, Oregon, June 30-July 03. will be commandeering the main-stage soundsystem duing the saturday daylight hours, 12:oopm-8:08pm. We will provide the rituals of chaos, disorder, and sexual-frenic magick within the realm of the dance. More info forthcoming as intelligence from the Red Planet is sought. III. TOBIAS . CONSTRUCT. SATYRICON a live recording now on tape & cd 74 mins. 2 sides, 2 djs. Tobias:techno:3decks & efx. Construct:electro-funk. The legendary Halloween gathering of the Vancouver underground featuring HQ Communications, TeamLounge, B-Side & the Collective. 2 live sets from a night of orgiastic musik. Available soon at the usual outlets. Also order online at: shrumtribe@techno.ca Online cost: $10cdn + shipping IV. PRESS "Some collectives like Vancouver, B.C.'s Shrum Tribe take exception to most of the terminology associated with the scene. "Shrum Tribe is not a 'rave' . . . we do not want to be bound by those restrictions," says the statement on the group's Web site." http://www.seattlep-i.com/lifestyle/rave20.shtml ---- Maj. Thomas Collins, U.S. Information Service has confirmed that "psyops" (psychological operations) personnel, soldiers and officers, have worked in the CNN headquarters in Atlanta. The lend/lease exercise was part of an Army program called "Training With Industry. [....] One of the main tasks of this[Fourth Psyop] group of almost 1200 soldiers and officers is to spread 'selected information.' Critics say that means dissemination of propaganda. [.....] The symbiotic, intimate relationship between CNN and army psyops specialists has raised many eyebrows, with critics saying it raises doubts about CNN's journalistic integrity and independence. [...] The Fourth Psyop Group has been involved in the Gulf War, the Bosnian War and the Kosovo crisis. American psyops troops attempt to influence media and public opinion in armed conflicts in which American state interests are said to be at stake ......CNN has not thus far commented officially on the allegations. ----- [2. Dan Lui aka Rainfield: An Interview] [by David S. Lee: smile2@ipoline.com] Daniel Lui is standing in the dubplate mastering suite of Scratch Free Press, one hand perched upon his chin, the other rubbing his closely shaven head. His clothes hang monk-like off his sleight figure as he contemplates his latest musical production. It's easy to see the intense concentration in Lui's eyes from behind his small, oval glasses. Lui needs all the focus he can muster. After all, Toronto's techno scene depends on it. Toronto's techno scene is only now just burgeoning, and it's thanks to the 27-year-old Lui and his record label Chair Recordings, founded in 1998 because of his frustration with the record industry. Other Toronto area producers like Sunkissed, naw, Mistress Barbara, and Richie Hawtin are also making contributions to the techno scene. Unlike these producers though, Lui has been able to take old Detroit style techno, Chicago house style grooves, deep house, experimental sounds, minimalist "intelligent" music and coalesce them all into his own style. "The feedback I've gotten so far is that whatever I'm doing, however I'm doing it, sounds a little different. Maybe it's the way my stuff is set up or the way I think." As well as being able to take a jumble of styles together and putting them down into one track and have it make sense, the Brampton born Lui also makes tracks that defy traditional boundaries existing between these genres and, at the same time, redefine the specific genres he's borrowing from. These genres developed during the 80s in hubs close to Toronto such as Chicago, Detroit and New York. This put Toronto in a position to become another center of dance music in North America because of the obvious trickle down influence of their US counterparts. Techno developed out of Detroit, and was coined by techno producer Derrick May. Even though the German band Kraftwerk planted the seeds for techno music back in the 70s, it wasn't until the "first-wave" of Detroit producers--Derrick May, Jeff Mills [ed. Mills is usually considered a "second wave producer"], Kevin Saunderson and Juan Atkins picked up on the Kraftwerk sound and fused it with what was happening in the US jazz and blues scenes. The techno scene is different from the other dance genres in that it looks to the future instead of borrowing from the past as house music tends to do. "Techno was just this music that kept pushing forward," says Richie Hawtin, probably the best known Canadian techno DJ and producer in the world. "It was always reinventing itself... we just wanted to push forward with new ideas." Wolfgang Flr, former member of Kraftwerk, agrees on techno's forward-thinking nature. He says, "The younger generation works with synths very differently than we did with Kraftwerk. You could never play a guitar so many millions of different ways... you can make something fresh with a good synthesizer." Lui was right there in the beginning of the techno scene while he was studying Waterloo University. His proximity to London, Ontario was important as it was very close to Detroit and there were artists such as Windsor resident Richie Hawtin and Detroit resident Derrick May DJing in both Detroit and the London area. "I mean there were parties in Toronto and we'd do the trips on the weekend," says Lui, "but it was a lot of small techno parties in London that I ended up getting involved with; helping people with production and stuff like that." Lui studied fine arts at Waterloo and it helped him understand what the techno community is about. "That analytical critical frame of mind hasn't really left me. I haven't forgotten it; its part of my background, part of my training." It allows Lui to analyze his music and helps him in the technical aspects of his production but he asserts that his music is not art and he does not base his work around his formal art training. "I mean its more of a way to look at things, not a way to create things," says Lui. "I mean it's just a point of view, and on one hand it means everything and on the other hand it doesn't mean anything at all." Lui doesn't take his inspiration from art but he does admit that he is influenced by other artists. His process in creating new material is often triggered by hearing things that are "really cool". On the other hand, Lui says that he is also inspired to produce something that is a reaction to something he's heard and through that he's telling the listener a story about where this thoughts were at that point in time. "Its more important for me to put out a release that's cohesive. Those four tracks will have progression within themselves because they're all based around similar ideas." However, the dance music community of Toronto is not cohesive at all and is just beginning to evolve. Because of Toronto's multicultural mix there are a lot of influences coming from different countries and backgrounds that contribute to the music at large. The collective of in Toronto aren't putting out one sound but they are bound together by the ethereal thing that is "Toronto". Lui comments that, "maybe this whole kind of diversity thing is reflective of this city and Canadian culture. You walk around here and it's not very uniform there's a lot of different people a lot of different styles and a lot of different headspaces and its just a nice mix." Lui himself is reflective of that multiculturalism that is Toronto. Lui's background is Chinese and it is reflected in the Chinese characters that he uses in his name. Indeed, the name Rainfield is a direct translation of his Chinese name. Even Lui's '94 Suzuki Swift drives has been plastered with Chinese Chair Recording logos on every part of the car. Everything from the windshield to the rear bumper to the side doors have been decorated with anything and everything related to his label. Apart from his declaration as a person of Chinese heritage and his Chair label are aftermarket accessories which Lui has installed to make it go faster. He relates his love of aftermarket accessories to his quick and fast lifestyle. Even his previous releases on his label mostly relate to speed and driving. The first record he put out under the name of Niche and Neeper (aftermarket rim manufacturers) is a statement about the hectic drives he endures on the Don Valley Parkway during rush hour. As well, the forthcoming release under the Niche and Neeper name is titled "Life at 6900 RPM". The name Niche an Neeper is also Lui's outlet for more aggressive tracks whereas the tracks under the name Rainfield tend to be very minimal and mellow. "Certain things are going on in my head," Lui says when he creates things under the Niche and Neeper name. "The Rainfield stuff is a completely different headspace and stuff under my own name is again something else." From early on Lui's "headspace" was being formed by his experiences growing up. He got interested in producing his own material and went out and got some equipment after seeing them in use at parties, including a Roland MC-303 synthesizer which he still uses in his production today. Lui remembers his first experience with the 303 when Pete Grove of Woodwork introduced it to him. "I remember meeting him at a party and he got his 303 and his [Roland] 606 and I just thought that was the coolest thing on the planet." Back then Lui would either volunteer or be hired out to play at parties in the Kitchener-Waterloo area based on his previous experience as a DJ. Using the 303 and various other pieces of production equipment he'd perform live, making up tracks on-the-fly and just going with whatever inspiration that came to him at that moment in time. Those early experiences with DJing, live performances and thinking on his feet helps shape his production techniques today. To Lui, everything is about speed. His hectic schedule of holding down a day job at MMS Healey as a customer service representative, and spending his nights producing his material has forced his to be fast and furious in all aspects of life. Lui says it's a necessity to work quickly in the industry because of the business side of things. "I mean you could put out one record every six months but that's not gonna get you anywhere," says Lui. With his schedule it's hard to say if Lui can really be a person to be representative of the Toronto techno producing community. A person who has so much to do besides just producing can't be expected to be an ambassador to the world for the Toronto scene. And indeed, Lui's fame has not exceeded his reputation as a good producer, especially at home. Among those in the dance community at large, Dan Lui is not a household name and does not hold the cachet of the huge Canadian dance artists such as Richie Hawtin, Nick Holder or Legion of Green Men. Even among the smaller underground dance community of Toronto Lui is only known by a few, and even then, they can only give sketchy details about his past releases and about his presence in the dance music scene. That's the problem of many of Toronto's smaller artists. Many of them remain unknown because they don't market themselves, don't produce enough new material, or are just content to be known within a small clique of dance music aficionados [or because ravers don't like anything that seems intelligent?-ed.]. Artists such as Altitude, Vortex, Mental Floss, Troll, and Mike Shannon remain largely unknown even though they put out records to critical acclaim from publications like San Francisco based XLR8R and Toronto's own Metro Productions magazine. But that's where Lui and his affiliation to the newly launched Roundtable website come in. Dave Cooper, who runs the Roundtable dance music discussion group on U of T radio, sees a bright future for Toronto artists. However, they need the distribution network, business contacts and exposure that artists on larger, more recognized labels get hence the Roundtable website. Cooper has set up a forum in which Toronto and Canadian artists can distribute their material to a very broad audience. With distribution networks set up in Brazil, Germany, Sweden and the US, Roundtable is set to expose Canadian talent to the rest of the world. Lui himself has been trying to get his name out to the rest of the world even before Cooper's Roundtable was set up. Even though he's not well known at home, overseas in Germany he's a virtual star in the underground community. "Jeff Milligan (Toronto DJ Algorithm) just came back from tour over there and he was saying that the response for the stuff we've being putting out here in Toronto is being accepted really well over there." Lui also got a large surprise recently when he was told that he was going to be placed on a compilation with the world renowned DJs Surgeon and Plastikman (Richie Hawtin). As for where Lui stands in the middle of everything that's happening in the techno genre he seems to believe that he's succeeding in going further than his predecessors. Lui, lumping himself in with other Toronto producers says, "Maybe they'll stay that way but there's always those guys that push the envelope. You have this material in front of you... what are you gonna come up with? Are you gonna come up with something like everyone else or come up with something different?" Maybe Lui is the ray of light through the rainclouds after all. ------- [3. PostModern Lies: Activism & Media] Tuesday, May 2, 2000 Mystery lurks behind protest Many will be surprised when true nature of demonstrators is known By PAUL JACKSON, Calgary Sun Someone, somewhere -- in the FBI, CIA, RCMP, CSIS, MI5, MI6 and other intelligence and police agencies in the western world -- must be asking a question that one day will unravel with damning consequences. The question is: Who is covertly financing and directing the protest groups that rocked the World Trade Organization (WTO) in Seattle, threatened to close down the International Monetary Fund (IMF) meetings in Washington, and now are focusing on the World Petroleum Congress in Calgary in June? How is it these supposedly motley crews -- looking like the disorganized flotsam and jetsam of the world's radical left -- can be so well organized? What planning goes into shipping thousands of these zealots to Seattle, Washington and soon Calgary? Where did they get their targets and how did they manage communication, travel and accommodation plans on such a vast scale? Who delighted in seeing the carnage in the streets of Seattle, and savours the disruptions that may soon occur upon the streets of Calgary? And why -- in democratic nations like the United States and Canada -- are the representatives of legitimate worldwide organizations being made to perspire and even fear what may befall them? Well, sooner or later, we are going to find out, and then the sham of those who pretend to be so concerned about the environment, child labour in the Third World and 101 other bogus 'matters of conscience' will be revealed. Here are three immediate possibilities: *Libya's Moammar Gadhafi. *Iraq's Saddam Hussein. *Afghanistan's Osama bin Laden All are prone to promote world terrorism with an aim to destabilize the western democracies. A trial is now under way in Lockerbie, Scotland, involving suspected Libyan agents' role in the 1988 downing of Pan Am flight 103 and the deaths of its 259 passengers, and bin Laden -- the "elusive billionaire" -- is being fingered by the FBI as financing terrorism by Algerian extremists -- including a Canadian connection. Let's backtrack a bit. From the 1950s to the 1990s, western democracies witnessed all kinds of mass protest movements against the policies of their elected governments. We had groups like the "Ban the Bomb"' movement wanting the west to get rid of its nuclear weapons, groups urging us to disarm completely and trust the Soviet Union to later do the same, student protest groups spawning riots on issue after issue, and actually bringing down the government of France's Charles de Gaulle, and groups with military wings like the Irish Republican Army. Find an issue or manufacture one, and some radical group would spring up to oppose it. We now know many of these causes were orchestrated by Moscow and its puppet regimes in Eastern Europe -- particularly East Germany -- and he groups financed by the Kremlin and its front organizations. Moscow was involved in shipping arms to the IRA, and Moscow and Beijing were behind much of the Vietnam anti-war movement. The collapse of the Soviet Union and the opening of files has also revealed any number of the west's left-wing and liberal politicians and bureaucrats had been co-opted by our enemies. Much of this was known or suspected by our intelligence organizations, but kept under wraps for either legal or security reasons -- or to prevent mass unease or even panic by western society. Some of the culprits in the Moscow/Beijing-directed operations were out-and-out traitors, some sold out for money, some were blackmailed, and many were simply 'useful' dupes. Some of these "useful dupes," such as the unilateral disarmament types, were astonished to learn they had been used as pawns and were regarded as "idiots" by their puppetmasters. Ten-to-one, a lot of us will again be surprised -- even stunned -- when the true identity and nature of the latest radical protest groups are revealed. Jackson, associate editor of the Sun, can be reached at conradjackson@home.com Letters to the editor should be sent to callet@sunpub.com http://www.canoe.com/Columnists/jackson.html [::RESPONSE::] Greetings. As a member of the "disorganized flotsam and jetsam of the world's radical left," and a broke one at that, I was wondering where I could apply for some funding from these evil terrorist puppetmasters? As obviously Mr. Jackson knows everything about the world's true Illuminati (the protesters! the radicals!), perhaps he can point me the way to some terrorist-sponsored bucks or Osama Bin Laden greased cash? I could do with some money. I need the latest Virgin cd. God knows all those bums out on the streets aren't really poor-- damn homeless-- they are really terrorists! And rich ones at that, masking in rags while they..errr... beg as spies! Motliness! Another crime! Of course we all know *real* democracy is homogenous, where everyone is the same and everyone says the same-right-wing-thing, right? Right-Right. There is no room for dissent in true democracy, a democracy of our Great, White-Right Nation. Afterall, sweatshops are a big conspiracy-- not so many people die in them! Heck, sweatshops are really amusement parks set up for the underprivileged! And those are shower rooms, really. And how do these crews of zealots organise without corporate cash? Obviously Mr. Jackson has never organised anything in his life without corporate cash, or perhaps even terrorist cash (good terrorists though, like..errr..y'know, elected ones)-- heck, even his paper is probably organised with corporate cash! "And why -- in democratic nations like the United States and Canada -- are the representatives of legitimate worldwide organizations being made to perspire and even fear what may befall them? " We must be careful when these motley crews begin to question our truly elected leaders-- you remembered to vote for the WTO, right? And APEC? And the MAI, the IMF, NAFTA, the World Bank? How about the SS? Did you vote for them too? It must be a real relevation to be stunned in the face of true non-corporate, motley, spirited resistance. The organisation of people with souls and hearts runs deep, Mr. Jackson. Not deep into pockets, but deep into our human souls. Given that we are not actually aliens masquerading as Saddam Hussein clones, begging on street corners with black bandanas. The "true" identity of the "new protesters" already is revealed: there is no "true" identity. And it scares the living shit out of fascist fu...err, I mean democratic newspaper writers like you. Sincerely, the Agent T-X Surrealist Anarchists ----------- "'E makes shirtless, disgusting men, a club with broken bathrooms, a DJ that plays crap, and vomiting into a trash can the best night of your life.'" ---------- [4. stimuli ] [musik] http://www.1groove.com/ http://www.biostat.wisc.edu/~rose/house/index.htm http://www.techno.ca/cognition/home.htm http://www.digitalnoise.com/home/index.ws4d http://www.beatbox.com/ http://www.dancemusic.simplenet.com/ http://www.shine.net/audio.asp http://ziltv.2y.net/listen.htm http://www.epitonic.com http://62.20.102.95/ Julio "sings" http://nwdnb.bc.ca/ dnb http://www.mp3.com/crisis909 noiz http://www.mp3.com/digitalsubmission noiz http://www.mp3.com/NOIZFUK noiz http://www.haywire.co.uk:8080/ramgen/haywire/agency/siliconscally.rm http://www.skam.co.uk/ http://www.boardsofcanada.com/ BOC early material http://m.tcp.ca/mike/ badfengshui mp3's: local vancouver. http://www.nstend.com/electro http://www.hardrivefuture.com/steves/audio/cockblockingbeats.ram http://www.hardrivefuture.com/steves/audio/cockblockingbeats.ra ftp://216.44.149.243 login: anonymous. laurent ho. http://www.math.ksu.edu/~curtken/ http://www.rosebudproductions.net/april.mp3 dj dionysius http://www.rosebudproductions.net/wax_april.mp3 dj mad wax http://player.pseudo.com/real_clip.asp?id_arc=5268 detroit grand pubahs [tobias live @ betalounge] http://www.betalounge.com/stuff/lounge8-19-99.ram begins at 2:00.00 http://stream.qtv.apple.com/channels/expn/refs/051600/expn_bl7_ref.mov tobias video @ betalounge [musik related] http://www.reverbmag.com/demf_pix/ DEMF pics http://www.skinny.com/music/artist/if/ IF mouths off http://www.fryertuck.com vancouver musik http://ad.techno.org worldwide techno http://emil.techno.org/ swedish techno & house http://www.salon.com/people/bc/2000/04/25/moog/index.html robert moog http://www.urbansounds.com/us_current/features/finlow_1.html carl finlow http://www.bio.cam.ac.uk/~mjr/brother.html cologne techno http://home.snafu.de/circonium/music/ berlin techno http://www.audioc.com & http://www.norh.com speakers [paranoia] http://cryptome.org/4th-sneaky.htm search without warrant http://www.rcmp-fairmont.org/da/raves.htm rave blacklist http://www.oddsquad.bc.ca/ RCMP indoctrination http://www.oddsquad.bc.ca/raves.html RCMP misinformation http://rinkworks.com/dialect/notice.shtml copright crap http://www.brunching.com/features/feature-metallicaletter.html fuck-off to metallica http://www.erowid.org/general/conferences/conference_cat.shtml modern-day Hunter S. [thimk] http://xxx.lanl.gov/html/nlin/0004007 Turing machines, Incompleteness www.futile.com www.mumbleboy.com www.soulbath.com http://www.mearone.com http://www.soda.co.uk/soda/constructor/ [production] http://beatseek.com/dir/Producing/ http://beatseek.com/dir/Music_Styles/Drum_n_Bass/Production/ http://beatseek.com/dir/Music_Styles/Hardcore/Production/ http://www.dancetech.com http://www.synthzone.com http://www.analoguesamples.com http://www.samplenet.co.uk http://www.harmony-central.com http://www.intermusic.com http://www.cycling74.com max msp ------ [5. deployment] june10[van] Tobias & Nommo Ogo @LoungeX3.0. http://www.loungex.com june7-1[mon] MUTEK FESTIVAL. SF, German&Detroit minimal-fest. feat. Sutekh, Kit Clayton, Mille Plateaux, Vladislav Delay, Jake Mandell, Safety Scissors, Kid606, Taylor Deupree, Thomas Brinkmann, Algorithm, etc. http://www.mutek.ca june9&10[van] GRRLAPALOOZA. tix @ ticketbastard june23[van] Tobias & Carlos Miguel @23West Cordova june24[vic] West Coast Island Primitive feat. Neerav. alchemist@techno.ca june23[vic] Mike Grant @Neptune Sound Bar july8[island] Deliverance 3 w/Tobias etc. http://www.come.to/deliverance july21[van] Sutekh & Safety Scissors @Cycle, 23West Cordova july22[vic] Sutekh live PA & Safety Scissors @Neptune Sound Bar aug25[vic] Tobias @Neptune Sound Bar [Legendary Pink Dots] > 7/08 - San Francisco, CA Slim's > 7/10 - Portland, OR Barbati's Pan > 7/11 - Seattle, WA The Showbox > 7/12 - Vancouver, BC Richard's On Richards > 7/13 - San Juan Island TO BE CONFIRMED ---------- [6. addendum] Okay. No one seems to be responding. The truth is that people on this list hate Americans for various reasons and so they are ignoring you because they probably can't bear the thought that you are going to cross the border and infect our country with your philistine tastes and hick accent. I am way beyond this deplorable strain of anti-Americanism and am totally willing to help. I for one love America. Especially Ted Nugent and Jesse Helms. In my opinion the greatest foreign policy triumph you guys could orchestrate would be to bomb Cuba and then pave the fucker. Just pave the whole fucking Island with asphalt (not concrete). From then on it could be the world's parking lot. And if the parking lot idea proves to be inefficient it could be a designated war zone. Anytime anyone wanted to have a war they could just go there and battle to the death without having to worry about destroying any farms, or old churches, and no innocents would be raped or killed. You could even have really long drag races in such a space. We should get drunk and mix. -------- DENIES ALL INVOLVEMENT list direktor -- send event updates, promos and rekon shrumtribe@techno.ca Kudos: David S. Lee, Paul Jackson, Agent T-X, D.oC, Construct, muschi -------------------------------------------------------------- This electronic mail message and any attached files contain information. intended for the exclusive use of the individual or entity to whom it is addressed and may contain information that is proprietary, privileged, confidential and/or exempt from disclosure under applicable law. If you are not the intended recipient, you are hereby notified that any viewing, copying, disclosure or distribution of this information may be subject to legal restriction or sanction. Please notify the sender, by electronic mail or telephone, of any unintended recipients and delete the original message without making any copies. __substg1.0_1013001E*')џџџџH<м__substg1.0_1035001E*џџџџџџџџџџџџ&4__substg1.0_300B0102*(,џџџџ'__substg1.0_8002001E*џџџџџџџџџџџџ(‚ƒ„…†‡ˆ‰Š‹ŒŽ‘’“”•–—˜™š›œžŸ ЁЂЃЄЅІЇЈЉЊЋЌ­ЎЏАБВГДЕЖўџџџКЙМЛНОРПўџџџўџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџ
<st.042> transmissions
 
1. <ST> communique
2. Dan Lui aka Rainfield: A Feature
3. PostModern Lies: Activism & Media
4. stimuli 
5. deployment
6. addendum
-----
 
[<ST> communique]
 
I. <ST> is proud to launch:
 
 
The website is revamped with new information, pictures of past events, real audio files, & manifestos from the <ST> Collective. Also check for updated dj tobias information, bookings, releases & mixtapes.
 
II. The Phoenix Festival - www.mutated.org
<STC> is proud to participate in a gathering of soundsystems at the Phoenix Festival, Portland, Oregon, June 30-July 03. <STC> will be commandeering the main-stage soundsystem duing the saturday daylight hours, 12:oopm-8:08pm. We will provide the rituals of chaos, disorder, and sexual-frenic magick within the realm of the dance. More info forthcoming as intelligence from the Red Planet is sought.
 
III. TOBIAS . CONSTRUCT. SATYRICON
a live recording now on tape & cd
 
74 mins. 2 sides, 2 djs.
Tobias:techno:3decks & efx.
Construct:electro-funk.
 
The legendary Halloween gathering of the Vancouver underground featuring HQ Communications, TeamLounge, B-Side & the <ST> Collective. 2 live sets from a night of orgiastic musik.
 
Available soon at the usual outlets.
Also order online at: shrumtribe@techno.ca
Online cost: $10cdn + shipping
 
IV. <ST> PRESS
 
"Some collectives like Vancouver, B.C.'s Shrum Tribe take exception to most of the terminology associated with the scene.
 
"Shrum Tribe is not a 'rave' . . . we do not want to be bound by those restrictions," says the statement on the group's Web site."
 
----
 
Maj. Thomas Collins, U.S. Information Service has confirmed that "psyops" (psychological operations) personnel, soldiers and officers,
have worked in the CNN headquarters in Atlanta. The lend/lease
exercise was part of an Army program called "Training With Industry.
[....] One of the main tasks of this[Fourth Psyop] group of almost
1200 soldiers and officers is to spread 'selected information.'
Critics say that means dissemination of propaganda. [.....] The
symbiotic, intimate relationship between CNN and army psyops
specialists has raised many eyebrows, with critics saying it raises
doubts about CNN's journalistic integrity and independence. [...]
The Fourth Psyop Group has been involved in the Gulf War, the Bosnian
War and the Kosovo crisis. American psyops troops attempt to influence
media and public opinion in armed conflicts in which American state
interests are said to be at stake ......CNN has not thus far
commented officially on the allegations.
-----
 
[2. Dan Lui aka Rainfield: An Interview]
[by David S. Lee: smile2@ipoline.com]
 
Daniel Lui is standing in the dubplate mastering suite of Scratch Free Press, one hand perched upon his chin, the other rubbing his closely shaven head. His clothes hang monk-like off his sleight figure as he contemplates his latest musical production. It's easy to see the intense concentration in Lui's eyes from behind his small, oval glasses. Lui needs all the focus he can muster. After all, Toronto's techno scene depends on it. 

Toronto's techno scene is only now just burgeoning, and it's thanks to the 27-year-old Lui and his record label Chair Recordings, founded in 1998 because of his frustration with the record industry. Other Toronto area producers like Sunkissed, naw, Mistress Barbara, and Richie Hawtin are also making contributions to the techno scene. Unlike these producers though, Lui has been able to take old Detroit style techno, Chicago house style grooves, deep house, experimental sounds, minimalist "intelligent" music and coalesce them all into his own style. "The feedback I've gotten so far is that whatever I'm doing, however I'm doing it, sounds a little different. Maybe it's the way my stuff is set up or the way I think."

 As well as being able to take a jumble of styles together and putting them down into one track and have it make sense, the Brampton born Lui also makes tracks that defy traditional boundaries existing between these genres and, at the same time, redefine the specific genres he's borrowing from. These genres developed during the 80s in hubs close to Toronto such as Chicago, Detroit and New York. This put Toronto in a position to become another center of dance music in North America because of the obvious trickle down influence of their US counterparts. Techno developed out of Detroit, and was coined by techno producer Derrick May. Even though the German band Kraftwerk planted the seeds for techno music back in the 70s, it wasn't until the "first-wave" of Detroit producers--Derrick May, Jeff Mills [ed. Mills is usually considered a "second wave producer"], Kevin Saunderson and Juan Atkins picked up on the Kraftwerk sound and fused it with what was happening in the US jazz and blues scenes. The techno scene is different from the other dance genres in that it looks to the future instead of borrowing from the past as house music tends to do. "Techno was just this music that kept pushing forward," says Richie Hawtin, probably the best known Canadian techno DJ and producer in the world. "It was always reinventing itself... we just wanted to push forward with new ideas."

Wolfgang Flr, former member of Kraftwerk, agrees on techno's forward-thinking nature. He says, "The younger generation works with synths very differently than we did with Kraftwerk. You could never play a guitar so many millions of different ways... you can make something fresh with a good synthesizer." Lui was right there in the beginning of the techno scene while he was studying Waterloo University. His proximity to London, Ontario was important as it was very close to Detroit and there were artists such as Windsor resident Richie Hawtin and Detroit resident Derrick May DJing in both Detroit and the London area. "I mean there were parties in Toronto and we'd do the trips on the weekend," says Lui, "but it was a lot of small techno parties in London that I ended up getting involved with; helping people with production and stuff like that."
Lui studied fine arts at Waterloo and it helped him understand what the techno community is about. "That analytical critical frame of mind hasn't really left me. I haven't forgotten it; its part of my background, part of my training." It allows Lui to analyze his music and helps him in the technical aspects of his production but he asserts that his music is not art and he does not base his work around his formal art training. "I mean its more of a way to look at things, not a way to create things," says Lui. "I mean it's just a point of view, and on one hand it means everything and on the other hand it doesn't mean anything at all." Lui doesn't take his inspiration from art but he does admit that he is influenced by other artists. His process in creating new material is often triggered by hearing things that are "really cool". On the other hand, Lui says that he is also inspired to produce something that is a reaction to something he's heard and through that he's telling the listener a story about where this thoughts were at that point in time. "Its more important for me to put out a release that's cohesive. Those four tracks will have progression within themselves because they're all based around similar ideas."

However, the dance music community of Toronto is not cohesive at all and is just beginning to evolve. Because of Toronto's multicultural mix there are a lot of influences coming from different countries and backgrounds that contribute to the music at large. The collective of in Toronto aren't putting out one sound but they are bound together by the ethereal thing that is "Toronto". Lui comments that, "maybe this whole kind of diversity thing is reflective of this city and Canadian culture. You walk around here and it's not very uniform there's a lot of different people a lot of different styles and a lot of different headspaces and its just a nice mix." Lui himself is reflective of that multiculturalism that is Toronto. Lui's background is Chinese and it is reflected in the Chinese characters that he uses in his name. Indeed, the name Rainfield is a direct translation of his Chinese name. Even Lui's '94 Suzuki Swift drives has been plastered with Chinese Chair Recording logos on every part of the car. Everything from the windshield to the rear bumper to the side doors have been decorated with anything and everything related to his label.

Apart from his declaration as a person of Chinese heritage and his Chair label are aftermarket accessories which Lui has installed to make it go faster. He relates his love of aftermarket accessories to his quick and fast lifestyle. Even his previous releases on his label mostly relate to speed and driving. The first record he put out under the name of Niche and Neeper (aftermarket rim manufacturers) is a statement about the hectic drives he endures on the Don Valley Parkway during rush hour. As well, the forthcoming release under the Niche and Neeper name is titled "Life at 6900 RPM".

The name Niche an Neeper is also Lui's outlet for more aggressive tracks whereas the tracks under the name Rainfield tend to be very minimal and mellow. "Certain things are going on in my head," Lui says when he creates things under the Niche and Neeper name. "The Rainfield stuff is a completely different headspace and stuff under my own name is again something else." From early on Lui's "headspace" was being formed by his experiences growing up. He got interested in producing his own material and went out and got some equipment after seeing them in use at parties, including a Roland MC-303 synthesizer which he still uses in his production today. Lui remembers his first experience with the 303 when Pete Grove of Woodwork introduced it to him. "I remember meeting him at a party and he got his 303 and his [Roland] 606 and I just thought that was the coolest thing on the planet." Back then Lui would either volunteer or be hired out to play at parties in the Kitchener-Waterloo area based on his previous experience as a DJ. Using the 303 and various other pieces of production equipment he'd perform live, making up tracks on-the-fly and just going with whatever inspiration that came to him at that moment in time. Those early experiences with DJing, live performances and thinking on his feet helps shape his production techniques today. To Lui, everything is about speed. His hectic schedule of holding down a day job at MMS Healey as a customer service representative, and spending his nights producing his material has forced his to be fast and furious in all aspects of life. Lui says it's a necessity to work quickly in the industry because of the business side of things. "I mean you could put out one record every six months but that's not gonna get you anywhere," says Lui. With his schedule it's hard to say if Lui can really be a person to be representative of the Toronto techno producing community. A person who has so much to do besides just producing can't be expected to be an ambassador to the world for the Toronto scene. And indeed, Lui's fame has not exceeded his reputation as a good producer, especially at home. Among those in the dance community at large, Dan Lui is not a household name and does not hold the cachet of the huge Canadian dance artists such as Richie Hawtin, Nick Holder or Legion of Green Men. Even among the smaller underground dance community of Toronto Lui is only known by a few, and even then, they can only give sketchy details about his past releases and about his presence in the dance music scene.
That's the problem of many of Toronto's smaller artists. Many of them remain unknown because they don't market themselves, don't produce enough new material, or are just content to be known within a small clique of dance music aficionados [or because ravers don't like anything that seems intelligent?-ed.]. Artists such as Altitude, Vortex, Mental Floss, Troll, and Mike Shannon remain largely unknown even though they put out records to critical acclaim from publications like San Francisco based XLR8R and Toronto's own Metro Productions magazine.

But that's where Lui and his affiliation to the newly launched Roundtable website come in. Dave Cooper, who runs the Roundtable dance music discussion group on U of T radio, sees a bright future for Toronto artists. However, they need the distribution network, business contacts and exposure that artists on larger, more recognized labels get hence the Roundtable website. Cooper has set up a forum in which Toronto and Canadian artists can distribute their material to a very broad audience. With distribution networks set up in Brazil, Germany, Sweden and the US, Roundtable is set to expose Canadian talent to the rest of the world. Lui himself has been trying to get his name out to the rest of the world even before Cooper's Roundtable was set up. Even though he's not well known at home, overseas in Germany he's a virtual star in the underground community. "Jeff Milligan (Toronto DJ Algorithm) just came back from tour over there and he was saying that the response for the stuff we've being putting out here in Toronto is being accepted really well over there." Lui also got a large surprise recently when he was told that he was going to be placed on a compilation with the world renowned DJs Surgeon and Plastikman (Richie Hawtin). As for where Lui stands in the middle of everything that's happening in the techno genre he seems to believe that he's succeeding in going further than his predecessors. Lui, lumping himself in with other Toronto producers says, "Maybe they'll stay that way but there's always those guys that push the envelope. You have this material in front of you... what are you gonna come up with? Are you gonna come up with something like everyone else or come up with something different?"   Maybe Lui is the ray of light through the rainclouds after all.
-------
[3. PostModern Lies: Activism & Media]
 
Tuesday, May 2, 2000
 
Mystery lurks behind protest
Many will be surprised when true nature of demonstrators is known
 
By PAUL JACKSON, Calgary Sun
 
Someone, somewhere -- in the FBI, CIA, RCMP, CSIS, MI5, MI6 and other intelligence and police agencies in the western world -- must be asking a question that one day will unravel with damning consequences. The question is: Who is covertly financing and directing the protest groups that rocked the World Trade Organization (WTO) in Seattle, threatened to close down the International Monetary Fund (IMF) meetings in Washington, and now are focusing on the World Petroleum Congress in Calgary in June?
 
How is it these supposedly motley crews -- looking like the disorganized flotsam and jetsam of the world's radical left -- can be so well organized?
What planning goes into shipping thousands of these zealots to Seattle, Washington and soon Calgary?  Where did they get their targets and how did they manage communication, travel and accommodation plans on such a vast scale?
Who delighted in seeing the carnage in the streets of Seattle, and savours the disruptions that may soon occur upon the streets of Calgary?
 
And why -- in democratic nations like the United States and Canada -- are the representatives of legitimate worldwide organizations being made to perspire and even fear what may befall them?  Well, sooner or later, we are going to find out, and then the sham of those who pretend to be so concerned about the environment, child labour in the Third World and 101 other bogus 'matters of conscience' will be revealed.
 
Here are three immediate possibilities:
*Libya's Moammar Gadhafi.
*Iraq's Saddam Hussein.
*Afghanistan's Osama bin Laden
 
All are prone to promote world terrorism with an aim to destabilize the western democracies.  A trial is now under way in Lockerbie, Scotland, involving suspected
Libyan agents' role in the 1988 downing of Pan Am flight 103 and the deaths of its 259 passengers, and bin Laden -- the "elusive billionaire" -- is being fingered by the FBI as financing terrorism by Algerian extremists -- including a Canadian connection.  Let's backtrack a bit. From the 1950s to the 1990s, western democracies witnessed all kinds of mass protest movements against the policies of their elected governments.
 
We had groups like the "Ban the Bomb"' movement wanting the west to get rid of its nuclear weapons, groups urging us to disarm completely and trust the Soviet Union to later do the same, student protest groups spawning riots on issue after issue, and actually bringing down the government of France's Charles de Gaulle, and groups with military wings like the Irish Republican Army. Find an issue or manufacture one, and some radical group would spring up to oppose it.  We now know many of these causes were orchestrated by Moscow and its puppet regimes in Eastern Europe -- particularly East Germany -- and he groups financed by the Kremlin and its front organizations. Moscow was involved in shipping arms to the IRA, and Moscow and Beijing were behind much of the Vietnam anti-war movement. The collapse of the Soviet Union and the opening of files has also
revealed any number of the west's left-wing and liberal politicians and bureaucrats had been co-opted by our enemies.  Much of this was known or suspected by our intelligence organizations, but kept under wraps for either legal or security reasons -- or to prevent mass unease or even panic by western society.  Some of the culprits in the Moscow/Beijing-directed operations were out-and-out traitors, some sold out for money, some were blackmailed, and many were simply 'useful' dupes.
Some of these "useful dupes," such as the unilateral disarmament types, were astonished to learn they had been used as pawns and were regarded as "idiots" by their puppetmasters.
 
Ten-to-one, a lot of us will again be surprised -- even stunned -- when the true identity and nature of the latest radical protest groups are revealed.
 
Jackson, associate editor of the Sun, can be reached at
Letters to the editor should be sent to callet@sunpub.com
 
[::RESPONSE::]
 
Greetings.
 
As a member of the "disorganized flotsam and jetsam of
the world's radical left," and a broke one at that, I was
wondering where I could apply for some funding from these
evil terrorist puppetmasters?
 
As obviously Mr. Jackson knows everything about the world's
true Illuminati (the protesters! the radicals!), perhaps he can
point me the way to some terrorist-sponsored bucks or
Osama Bin Laden greased cash?
 
I could do with some money. I need the latest Virgin cd.
God knows all those bums out on the streets aren't
really poor-- damn homeless-- they are really terrorists!
And rich ones at that, masking in rags while they..errr...
beg as spies!
 
Motliness! Another crime! Of course we all know *real*
democracy is homogenous, where everyone is the same
and everyone says the same-right-wing-thing, right? Right-Right.
There is no room for dissent in true democracy, a democracy
of our Great, White-Right Nation. Afterall, sweatshops are a big
conspiracy-- not so many people die in them!
 
Heck, sweatshops are really amusement parks set up
for the underprivileged! And those are shower rooms, really.
And how do these crews of zealots organise without
corporate cash? Obviously Mr. Jackson has never organised
anything in his life without corporate cash, or perhaps even
terrorist cash (good terrorists though, like..errr..y'know, elected
ones)-- heck, even his paper is probably organised with
corporate cash!
 
"And why -- in democratic nations like the United States and Canada
-- are the representatives of legitimate worldwide organizations
being made to perspire and even fear what may befall them? "
 
We must be careful when these motley crews begin to question
our truly elected leaders-- you remembered to vote for the WTO,
right? And APEC? And the MAI, the IMF, NAFTA, the World Bank?
How about the SS? Did you vote for them too?
It must be a real relevation to be stunned in the face of true
non-corporate, motley, spirited resistance.
 
The organisation of people with souls and hearts runs deep,
Mr. Jackson. Not deep into pockets, but deep into our human
souls.
 
Given that we are not actually aliens masquerading as Saddam
Hussein clones, begging on street corners with black bandanas.
The "true" identity of the "new protesters" already is revealed:
there is no "true" identity.
 
And it scares the living shit out of fascist fu...err, I mean
democratic newspaper writers like you.
 
Sincerely,
the Agent T-X
<ST> Surrealist Anarchists
-----------
 
"'E makes shirtless, disgusting men, a club with broken bathrooms, a DJ
that plays crap, and vomiting into a trash can the best night of your
life.'"
 
----------
[4. stimuli ]
 
[musik]
http://www.1groove.com/
http://www.biostat.wisc.edu/~rose/house/index.htm
http://www.techno.ca/cognition/home.htm
http://www.digitalnoise.com/home/index.ws4d
http://www.beatbox.com/
http://www.dancemusic.simplenet.com/
http://www.shine.net/audio.asp
http://ziltv.2y.net/listen.htm
http://www.epitonic.com
http://62.20.102.95/ Julio "sings"
http://nwdnb.bc.ca/ dnb
http://www.mp3.com/crisis909 noiz
http://www.mp3.com/digitalsubmission noiz
http://www.mp3.com/NOIZFUK noiz
http://www.haywire.co.uk:8080/ramgen/haywire/agency/siliconscally.rm
http://www.skam.co.uk/
http://www.boardsofcanada.com/ BOC early material
http://m.tcp.ca/mike/ badfengshui mp3's: local vancouver.
http://www.nstend.com/electro
http://www.hardrivefuture.com/steves/audio/cockblockingbeats.ram
http://www.hardrivefuture.com/steves/audio/cockblockingbeats.ra
ftp://216.44.149.243 login: anonymous. laurent ho.
http://www.math.ksu.edu/~curtken/
http://www.rosebudproductions.net/april.mp3 dj dionysius
http://www.rosebudproductions.net/wax_april.mp3 dj mad wax
 
[tobias live @ betalounge]
tobias video @ betalounge
 
[musik related]
 
[paranoia]
modern-day Hunter S.
 
[thimk]
 
------
 
[5. deployment]
 
june10[van] Tobias & Nommo Ogo @LoungeX3.0. http://www.loungex.com
june7-1[mon] MUTEK FESTIVAL. SF, German&Detroit minimal-fest.
feat. Sutekh, Kit Clayton, Mille Plateaux, Vladislav Delay, Jake Mandell,
Safety Scissors, Kid606, Taylor Deupree, Thomas Brinkmann, Algorithm, etc.
 
june9&10[van] GRRLAPALOOZA. tix @ ticketbastard
june23[van] Tobias & Carlos Miguel @23West Cordova
june24[vic] West Coast Island Primitive feat. Neerav. alchemist@techno.ca
june23[vic] Mike Grant @Neptune Sound Bar
july8[island] Deliverance 3 w/Tobias etc. http://www.come.to/deliverance
july21[van] Sutekh & Safety Scissors @Cycle, 23West Cordova
july22[vic] Sutekh live PA & Safety Scissors @Neptune Sound Bar
aug25[vic] Tobias @Neptune Sound Bar
 
[Legendary Pink Dots]
> 7/08 - San Francisco, CA Slim's
> 7/10 - Portland, OR Barbati's Pan
> 7/11 - Seattle, WA The Showbox
> 7/12 - Vancouver, BC Richard's On Richards
> 7/13 - San Juan Island TO BE CONFIRMED
----------
 
[6. addendum]
 
Okay. No one seems to be responding. The truth is that people on this list hate Americans for various reasons and so they are ignoring you because they probably can't bear the thought that you are going to cross the border and infect our country with your philistine tastes and hick accent. I am way beyond this deplorable strain of anti-Americanism and am totally willing to help. I for one love America. Especially Ted Nugent and Jesse Helms. In my opinion the greatest foreign policy triumph you guys could orchestrate would be to bomb Cuba and then pave the fucker. Just pave the whole fucking Island with asphalt (not concrete). From then on it could be the world's parking lot. And if the parking lot idea proves to be inefficient it could be a designated war zone. Anytime anyone wanted to have a war they could just go there and battle to the death without having to worry about destroying any farms, or old churches, and no innocents would be raped or killed. You could even have really long drag races in such a space. We should get drunk and mix.
 --------
<ST> DENIES ALL INVOLVEMENT
list direktor -- send event updates, promos and rekon
 
Kudos: David S. Lee, Paul Jackson, Agent T-X, D.oC, Construct, muschi
--------------------------------------------------------------
This electronic mail message and any attached files contain information.
intended for the exclusive use of the individual or entity to whom it
is addressed and may contain information that is proprietary,
privileged, confidential and/or exempt from disclosure under applicable
law. If you are not the intended recipient, you are hereby notified
that any viewing, copying, disclosure or distribution of this
information may be subject to legal restriction or sanction. Please
notify the sender, by electronic mail or telephone, of any unintended
recipients and delete the original message without making any copies.
 9.0360474121-05062000@0€2ЦЊїvС@0€2ЦЊїvСїє0бЇwEE  __substg1.0_8009001E*+.џџџџ)__substg1.0_800A001E*џџџџџџџџџџџџ*__substg1.0_800B001E*-0џџџџ+__substg1.0_800C001E*џџџџџџџџџџџџ,__properties_version1.00/1џџџџ-__recip_version1.0_#00000000:џџџџџџџџ5€gвЊїvС€gвЊїvС__substg1.0_0FF60102*џџџџџџџџџџџџ=__substg1.0_0FF90102*24џџџџ> #& ).67 @9`єE97ЯП;oA7oBMOSoPb cdep qo   7o  o   @ў@Н6ЯП oЈiР=мo54€џџџџ 0oо?Џon |€€'j€ € €€€ €€ € € € €= Ed… Р‘­гQЯЄЉЊGњЄТЪOTю:гПŒPКЁŸ”d… __substg1.0_0FFF0102*џџџџџџџџџџџџ?-__substg1.0_3001001E*37џџџџ@__substg1.0_3002001E*џџџџџџџџџџџџA__substg1.0_3003001E*69џџџџBSTSMTPShrumTribe@ffwd.cxSMTP:SHRUMTRIBE@FFWD.CXSTstР‘­гQЯЄЉЊGњЄТЪOTю:гПŒPКЁŸ”d…   љСў__substg1.0_300B0102*џџџџџџџџџџџџC__substg1.0_3A06001E*8;џџџџD__substg1.0_5FF6001E*џџџџџџџџџџџџE__substg1.0_5FF70102*:<џџџџF-__properties_version1.00џџџџџџџџџџџџG(џџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџ-С000 0С9:q:і_ї_-С§_џ_іС0o